Showing posts with label Dayton Art Institute. Show all posts
Showing posts with label Dayton Art Institute. Show all posts

Monday, May 2, 2016

SERVING THE WORK


While reading the editorial page of the Friday, April 29 issue of The Dayton Daily News, the headline of David Brooks’ column caught my eye. It referenced Ernest Hemingway. I started reading.

The Hemingway references accurately captured the man as I understand him but what really struck me was Mr. Brooks’ reference to a comment he credited to Dorothy Sayers. She once wrote that while it might be politically correct to state that one does one’s work to serve the community (I am paraphrasing), that is actually a falsehood. Her argument is that if you do any type of work to serve the community, that work becomes untrue, because in essence you are doing it to seek approval. Sayers notes that if you concentrate on serving the work rather than the community, you end up serving the community even more.

The self-consciousness disappears when you do this. Concentrate on the work fully and completely and to the best of your ability, and by doing so, you are serving the larger community. It becomes truly, honest work. Don’t make work simply to accumulate accolades.

Thank you Mr. Brooks for bringing this to my attention, and thank you Ms. Sayers for your perceptive observation.


I plan to keep this in mind as I go to the studio. I will dispense with “how am I doing” and simply get on, serving the work. 

Monday, March 28, 2016

INTERACTION IS THE ART


Yesterday I read in the Dayton Daily News about the newest special exhibition at the Dayton Art Institute. The show is titled “Into the Ether: Contemporary Light Artists” and is the first of five exhibitions, each one focusing on one of the elements (air, earth, fire, water, and in this case, ether).

What struck me was a comment made by one of the artists, Daniel Rozin, who teaches at New York University’s Tisch School for the Arts. Referring to his work as a light artist, he commented: “It’s important to understand that the art is not necessarily the object. The art is the moment of the interaction.”

While Rozin goes on to say that this is unique to interactive art and not to painting, and by extension other forms of 2D art, I am not sure I agree.


My collages are art, of course, just as my painter friends’ paintings are art. However, they also exist in the dimension of experience, specifically, the viewer’s experience or interaction with the piece of art, no matter the media. Is not that communication also part of the art? It’s something to ponder. 


 Light and Life, 9"w by 12"h