Monday, April 18, 2016

PAUL REVERE, LONGFELLOW AND ANNE LAMOTT

PAUL REVERE’S RIDE….

Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

Henry Wadsworth Longfellow


This is only the first stanza, but when April 18 pops up on the calendar I think of this poem. So, I had to put at least this bit on my commentary for today. Besides, Revere wasn’t just a Revolutionary, he was a silversmith by trade. So, art fits the picture, as it always does!


I guess today’s post really is about writers because I have been wanting to comment on the words and thoughts of another writer, Anne Lamott. Last fall my book club read her book Bird by Bird: Some Instructions on Writing and Life, which I highly recommend. She is a thoughtful and very funny writer and I gleaned much wisdom from her thoughts. In fact, I enjoyed the book so much I ordered a copy for my son, who is a professional writer.

In the book’s introduction Lamott relates her experiences teaching writing workshops to students who love to read, who love good writing, and who are eager to see their words in print. She begins by telling them what it is like to sit down to work with “a few ideas and a lot of blank paper”. She tells them they will want to be really good straight off, and that they may not be, but they might be good someday if they just keep at it. She tells them that their heads will be filled with their stories, even when they are not writing, that everything will be fodder for the page. She also tells them that they will have days of frustration, low self-esteem and self-doubt. They will want to give up, and forget this ridiculous belief that they can actually write, much less write something someone else wants to read.

Does that not sound like the life of a visual artist as well? I think so. So, to keep this post from being too long, I will just urge you to keep at it, because as Lamott goes on to say, there will also be days when it feels like you “have caught and are riding a wave.”


Ride on my friends. It’s absolutely worth it.



With many thanks to Anne Lamott for her beautiful writing and to Longfellow for his poetry.


Tuesday, April 12, 2016

THE DAO OF DRAWING


So I have been listening to The Great Courses while in my car and am currently learning about the Daodejing, subtitled The Dao of Life and Spontaneity. The book is generally credited to a person known as “old master” though most scholars believe it comes from a variety of sources. The Daodejing, interestingly enough, is the most frequently translated book in the world!

The meaning of the word dao is usually translated as “way” although it is sometimes translated as discourse or discussion and there are other meanings as well. Mostly though it seems that “way” is the most common understanding.

As I listened to my audio teacher, I thought of drawing, and the phrase “dao of drawing” came to mind. What is the way of drawing? In Daoist thought one pays attention to the empty spaces, the background before the foreground, to what is not there. From that negative space the positive emerges.

Now admittedly this is just a tiny tiny piece of Daoism; the philosophy as a whole is much more complex. As I consider the idea of drawing as dao, a way, a discourse, the thought of approaching one’s drawing practice as first noting the empty spaces then allowing the forms to emerge from those spaces intrigues me. After all, it is a common drawing exercise to set up a series of forms and instruct students to draw the negative space rather than the objects themselves. This certainly points to a “Dao of drawing”.


Perhaps if one followed that practice more often when making marks one might see new and enlightening things. Who knows?

Wednesday, April 6, 2016

LIFE AND ART, LATELY SEEN IN THE BIG EASY

BLOGPOST FOR MONDAY, APRIL 5, PUBLISHED WEDNESDAY, APRIL 6, LATE

Late. Late. Late. Just like the rabbit, only he wasn’t hurrying up (or down) Bourbon St. and its environs over the weekend. At least I don’t think so; I didn’t see him. I was busy eating and sightseeing and generally enjoying the sights. Believe me, there are sights in the Big Easy!

In addition to those sights, I visited the World War II museum, which is extensive. I did not visit the New Orleans Museum of Art, and I confess to feeling a little guilty about that. I have been to New Orleans several times, and not once have I ventured to the museum. I promise, I swear, I will get there.

I did see a beautiful piece of public art, one that especially struck me. Located near the aquarium and the river, it was created by an Israeli artist and was a memorial to the Holocaust. Consisting of narrow vertical plexiglass panels lined up like dominoes, it is brilliantly colored. As you walk around the piece the colors change into designs reminiscent of that tragic time: the Star of David, twin menorahs, symbols and shapes that speak to a world turned upside down. It was stunning and very moving.

I saw lots of other art (just not in the museum…) as well as I walked the streets of the French Quarter and elsewhere. We strolled in and out of galleries and viewed lots and lots of street art. And as one always does in NOLA, ate tremendous food!


These experiences add richness to my life and I am sure will slip into future art pieces as well, somehow. We will see! 

Monday, March 28, 2016

INTERACTION IS THE ART


Yesterday I read in the Dayton Daily News about the newest special exhibition at the Dayton Art Institute. The show is titled “Into the Ether: Contemporary Light Artists” and is the first of five exhibitions, each one focusing on one of the elements (air, earth, fire, water, and in this case, ether).

What struck me was a comment made by one of the artists, Daniel Rozin, who teaches at New York University’s Tisch School for the Arts. Referring to his work as a light artist, he commented: “It’s important to understand that the art is not necessarily the object. The art is the moment of the interaction.”

While Rozin goes on to say that this is unique to interactive art and not to painting, and by extension other forms of 2D art, I am not sure I agree.


My collages are art, of course, just as my painter friends’ paintings are art. However, they also exist in the dimension of experience, specifically, the viewer’s experience or interaction with the piece of art, no matter the media. Is not that communication also part of the art? It’s something to ponder. 


 Light and Life, 9"w by 12"h

Monday, March 21, 2016

Back to the Blog-o-Sphere


I admit I have taken an extended vacation from my blog and of course, I never intended to be gone for such a long time. I have yet to commit fully to the discipline of blogging; something I definitely must work on! Even if no one is reading me it’s good practice to write down my thoughts.

Because I am always leaning towards the studio and work I intend to keep posts short. There is so much to read on the web these days I think it can tire one’s eyes, and one’s patience.

So, I am back. Just a couple of quick notes for today. I hung one of my big projects a week ago Sunday, one I have been working on for several months. It is a 12 foot long, 6 panel collage on canvas (or papier colle on canvas) which is now hanging in the new Northwest branch of the Dayton Metro Library. Find it in the adult reading room!
My piece, titled Spaces between Stones, is hanging proudly along with work by Francis Schanberger, Amy Anderson, and Virginia Kistler. The awesome Andy Snow has photographed all the pieces, and you can see them on Andy’s Facebook page as well as on mine. There will be a grand opening celebration of the new library branch on Saturday, April 22 from 1:30 t0 5:30 pm with the official public opening on April 23. Check Dayton Metro Library for more: http://www.daytonmetrolibrary.org/locations/northwest.


On another note, I just delivered work this morning to Premier Health; they are hosting a show of local art until April 1. Enter at Second and Main!

Monday, August 3, 2015

CHANNELING REMBRANDT


So I am sitting here in my Rembrandt t-shirt (purchased at the Metropolitan Museum of Art some years ago) and thinking about my most recent trip where I got to “hang” with Rembrandt at his home in Amsterdam…

Rembrandt lived in this house for almost 20 years. It was in this house that he painted The Night Watch.

What an incredible experience to walk into his printmaking studio, arranged as though he were still hard at work and then to walk up to the third floor where he kept his painting studio. How thrilling to imagine the great artist receiving guests and patrons in his first floor entry. What fun it was to examine his large collection of artifacts in his “curiosity” room.










I was transported to Amsterdam in the 17th century in the “company” of one of art history’s greatest. 

Monday, July 27, 2015

Belgium, Art, Medieval Writers, Marsha and the Internet

Belgium, Netherlands, Christine de Pizan, New friends, and Art, art, art! And the Internet, did I mention the Internet?

Wow, what a summer I have had! So many new experiences, so many new friends from all over the world, and world class museums! Where do I start? In small bites I think.

To begin, about two years ago, a medieval scholar from Chicago, Julia Nephew, discovered my artwork on the internet. She was writing an article on the 15th century writer Christine de Pizan for an academic journal. I just happened to have used Christine in a series of collages I created between 2003 and 2007.

Julia asked permission to use some of my images in her article. We negotiated a contract and some months later a book arrived from Florence, Italy containing Julia’s article and my images. Because of this I was invited to speak at the North American Conference of Medieval Scholars at Western Michigan University. Because of that, Julia and I were invited to co-present at the International Colloquium Christine de Pizan in Belgium!


So, off I go to Belgium, by way of the Netherlands. I will expand on that in a future post, but this time I want to give a shout out to the organizers of the conference, Oliver and Tanya of the Catholic University Louvain la Neuve in Belgium. They were the ultimate hosts! 


Olivier and Tanya were each given framed prints of the Christine de Pizan collages that were part of my series. This was a "Thank You" from all the presenters.