Monday, January 16, 2017

A DRAWING A DAY FOR A YEAR, WEEK THREE


Today is Martin Luther King Day so I am thinking about the man and all he stands for. And I am thinking as well about Congressman John Lewis, who worked by King’s side and is still working today on behalf of all of us. I was fortunate to see him speak earlier in the fall; it was unspeakably moving to listen to him tell of his walk across the Edmund Pettis bridge. He is a true Civil Rights Hero and icon.

These thoughts lead me to thoughts about the Harlem Renaissance and my favorite African-American artists of that era. I love Romare Bearden’s work and Jacob Lawrence and Benny Andrews. Such originality, great color, and wonderful storytelling. Their work continues to speak to us today, reminding us that we still have a lot to learn about each other.


Meanwhile, still drawing – every day –still working on the new projects – still thinking up new ideas!  

Image result for romare bearden famous art  Romare Bearden, The Block, 1971 (a favorite of mine)

Image result for jacob lawrence paintings  Jacob Lawrence, Brownstones, 1958

Image result for benny andrews paintings   Benny Andrews, Singing the Blues, Year?

Monday, January 9, 2017

A DRAWING A DAY FOR A YEAR, WEEK TWO


So far, so good. I have made drawings every day since January 1. Somehow making the pledge in public cyberspace seems to be cementing the promise to myself and I am enjoying the discipline. I hope anyone reading is also giving this a try. To draw something is to show your understanding and there simply is not enough drawing done in the course of a traditional education. One does not need to be a great artist to draw; one simply needs to draw.

Drawing is a way of thinking, it’s visual note taking; it helps us to remember. Drawing is communication. Drawing is emoting. Drawing is necessary and essential.

Let’s keep drawing.

“Drawing” on other subjects, my holiday break is ending. I return to teaching this week with a drawing and painting class at Kettering College, followed by a new semester of art history at Wright State. Time off is wonderful but routine is pretty good too and it’s time to fall back into the rhythm. I am also returning to work on some of my collage series: a new tapestry is underway, another in the Redefining Wall series is on my easel in its beginning stages, and I think I finally have a handle on how to create the new series called Half the Sky. And right now I am sitting here watching the ice flows on the river and flocks of birds enjoying the sunshine…

Hope your sun shines bright as well. 

Sunday, January 1, 2017

A DRAWING A DAY FOR A YEAR


Lots to catch up on and apologies for my absence. Due to a very busy fall and winter I dropped out of the blogosphere. My husband and I downsized from our home of 31 years to an apartment on the Great Miami River, we delighted in sharing our lives with our first grandchild, the most delightful baby in the world, and we were both absorbed with our work. And I am not even going to mention the election…. no I am not! 2016 held both good and bad, but honestly, I am ready to see it go.

In thinking about my creative life I have been considering something I don’t do often enough, and that is drawing. I confess that I do not draw every day; I am consumed with collage making for commissions, rfps, series and exhibitions, but I do not draw like I should. SO, this year I intend to make at least one drawing a day for the entire year. I don’t care if it’s just a line on a napkin, I pledge to do it. Now that I have made my public vow, you readers are my witnesses, my subtle nags, my feet to the fire art loving friends. Here is the pledge:

FOR 365 DAYS IN THE YEAR 2017 I WILL MAKE AT LEAST ONE DRAWING A DAY.

I ask that you check in with me from time to time to keep me honest, and I will post drawings as I go along. I may need your gentle reminders that I have made this promise to myself.

NEXT: AN INVITATION, OR CHALLENGE IF YOU WANT TO CALL IT THAT, TO YOU: JOIN ME IN THIS ENDEAVOR! START YOUR OWN DRAWING A DAY FOR A YEAR AND LET ME KNOW HOW YOU ARE DOING.

Let’s become a community of communicators in the visual world. Draw!


Heartfelt wishes to all for your best year ever!

Tuesday, May 17, 2016

HUNGRY ARTISTS


No, this is not a typo; I am not channeling Kafka. I am referring to an upcoming one night pop-up show with an artistic and political theme. This exhibition, called “Feed the Adjuncts”, has been organized by artist and adjunct professor Colleen Kelsey, who is fast becoming known in the Dayton area for her organizational expertise putting together pop-up exhibits, as well as her advocacy for those of us who maintain not only a full-time art studio but teach as well.

“Feed the Adjuncts” was conceived to call attention to all those hard-working part time instructors who devote countless hours and endless energy to their teaching duties, while most of the time receiving what can often feel like “negative” compensation, at least in terms of dollars and might I add, respect. Now I know that this is not always the case, but there are numerous studies that reveal the often large percentage of adjunct instructors many universities and specialty schools employ, as well as their pay and lack of benefits. The thing is, not only is this unfair to those worker bees, it is also a disservice to the students they teach, many of whom have no idea that many of their teachers are not full faculty members.

I teach because I enjoy doing so and have never been in the position of having to teach at multiple schools just to support myself (although I do teach at multiple schools). That said, I also realize that I am not being paid what I am worth, especially given the number of hours I devote to my teaching practice. I don’t resent the time itself, and I totally love converting students from arts unaware to devotees. However, in practical terms, because of my part-time status and pay, I should be paying close attention to the amount of time I spend on teaching duties. Hard to do I admit.

So, Colleen has conceived of this exhibit to highlight the hungry months of the adjunct artist – summer- when most are not teaching and not receiving a paycheck. The hope is that some of you might visit this show and perhaps make a purchase. I want to emphasize that the artists participating are skilled in a variety of media and that if you come you will experience a visual feast.

“Feed the Adjuncts” will take place on Friday, May 20 from 6-10 pm at Divisible Studios in the Front Street complex, 1001 E 2nd Street, Building 100, 2nd floor, downtown Dayton. Enter through the door marked B-C.

Participating Artists: Nicholaus Arnold, Wesley Berg, Matthew Burgy, Clara Coleman, Leesa Haapapuro, Sara Janowski, Ashley Jude Jonas, Colleen Kelsey, Jean Koeller, James Luckett, Edmund Merricle, Marsha Pippenger, Francis Schanberger, Frank Travers

“Feed the Adjuncts” is planned in collaboration with Wesley Berg Studios. This pop-up exhibition space is donated by artist and Divisible Gallery Director Jeff Cortland Jones.

If you want more information visit: https://www.facebook.com/events/1028202993918647/


HOPE TO SEE YOU THERE!


DETAIL, THE LIGHT OVERCOMES, PAPIER COLLE ON CANVAS


Monday, May 2, 2016

SERVING THE WORK


While reading the editorial page of the Friday, April 29 issue of The Dayton Daily News, the headline of David Brooks’ column caught my eye. It referenced Ernest Hemingway. I started reading.

The Hemingway references accurately captured the man as I understand him but what really struck me was Mr. Brooks’ reference to a comment he credited to Dorothy Sayers. She once wrote that while it might be politically correct to state that one does one’s work to serve the community (I am paraphrasing), that is actually a falsehood. Her argument is that if you do any type of work to serve the community, that work becomes untrue, because in essence you are doing it to seek approval. Sayers notes that if you concentrate on serving the work rather than the community, you end up serving the community even more.

The self-consciousness disappears when you do this. Concentrate on the work fully and completely and to the best of your ability, and by doing so, you are serving the larger community. It becomes truly, honest work. Don’t make work simply to accumulate accolades.

Thank you Mr. Brooks for bringing this to my attention, and thank you Ms. Sayers for your perceptive observation.


I plan to keep this in mind as I go to the studio. I will dispense with “how am I doing” and simply get on, serving the work. 

Monday, April 25, 2016

Libraries and Art

Taking a shortcut today on my Monday post. I recently installed a piece of art  in the new branch of the Dayton Metro Libraries. It is one of four original pieces commissioned for the new library. Other artists involved are Amy Anderson and Francis Schanberger of Dayton and Virginia Kistler of Columbus. All of the pieces are imaginative and wonderful additions to a truly inspiring library space!  Below is the article from the Dayton Daily News, written by Meredith Moss. 

Art enhances new Dayton Metro Library Northwest Branch



Posted: 12:00 a.m. Saturday, April 23, 2016


There’s no way the community can begin to thank all those responsible for the amazing art that’s in the process of being created and installed in the new — and renovated — Dayton Metro Libraries.
The “ReImagining Works” project, in collaboration with the Dayton Art Institute, is encouraging talented local artists to dream up artwork that reflects each of the libraries and its particular neighborhood. You can see the latest additions at the new Northwest Branch that opened Friday at the corner of Philadelphia Drive and Hillcrest Avenue.
While this particular library was created to serve patrons of the consolidated Dayton View, Ft. McKinley and Northtown-Shiloh branches, we’re certain that library-lovers throughout the Miami Valley will enjoy seeing and and experiencing this state-of-the-art facility. At 30,000 square feet, it will be the largest branch in the system and is the first totally new library to be built in Montgomery County since 2000.
The artwork that enhances the space could never have been commissioned without the generosity of an anonymous donor’s unrestricted gift of $1 million. It’s thanks to the library’s executive director, Tim Kambitsch, and his board of directors that the decision was made to use the funds for new artwork by local artists.
Typically, Kambitsch said, the library works with donors to determine how their donations can best serve both the donor’s and library’s interests.
“Unfortunately, we were not able to consult the donor as the person is no longer living,” Kambitsch explained. “Because it was a significant bequest, the library’s board didn’t want the funds to be used for routine expenses. This donor’s attorney, a family friend, helped us to honor the donor with exceptional enhancements of our new facilities. The result is a perfect gift to both the community and local artists.”
How it works
The idea for “ReImagining Works” is to use art from the Dayton Art Institute’s permanent collection as inspiration for local artists. The Dayton Art Institute’s Susan Anable is the project manager.
“It was very forward-thinking to incorporate art from the ground up, instead of having it just be an afterthought,” notes Anable, who said artists within a 250-mile radius were welcome to submit proposals. “Art gives a building life. It makes it warm and inviting. And it makes that building unique.”
For the Northwest Branch, Anable explained, the library’s art committee chose six works from the DAI collection. Then the community voted to select the final two pieces. Those chosen were a Kuosi Elephant Mask Costume — made of fabric, fur, hair, beads, ivory, feathers and twine — and a carved gray stone Persian Relief Fragment from Persepolis that dates from 518-465 BCE. Stone relief carvings were also prominently featured at Fairview High School, which stood on the site of the new library.
Artists were also asked to research each library’s neighborhood and to incorporate the ambiance of that neighborhood into their proposed artwork. For the Northwest branch, the total art budget was $45,000. Commissions ranged from $5,000 to $20,000.
A tour of the Northwest Library artists
Virginia Kistler’s intricate sculpture is suspended above the library’s cafe and looks like a circular chandelier. It’s 10 feet in diameter and is made of of rubber, stainless steel and wood.
“My work is a contemporary take on the traditional craft of textiles, inspired by the Relief Fragment from Persepolis and the Kuosi Society Costume,” Kistler explained. “Like many Persian and Bamileke textiles, I employed the use of radial symmetry. If you look closely at the work, you will see textile patterns that are inspired by both cultures.”
Kistler, who is from Columbus, employs the use of two-dimensional imagery that serves as the inspiration or starting point for her three-dimensional sculpture. She designs her work using CADD and modeling software and utilizes contemporary fabrication techniques, such as laser cutting and 3D printing.
The kids will love the playful and colorful elephant painting located near the children’s room. Created byAmy Kollar Anderson of Dayton, it’s titled, “Marketplace of the Mind,” which is also the library’s motto. The piece is acrylic and copper foil on linen.
Anderson, who often paints in a surrrealistic style and uses metallic paint and glitter, said her artwork pays homage both to the history of Fairview High School and the DAI’s elephant mask and costume. A mother elephant and her calves — carrying baskets of fruit — frolic in front of a structure inspired by the front entrance of the old high school. Ask your children if they can find the four Bulldogs on the piece — the Bulldog was the Fairview High School mascot. The decorative border and patterning are drawn from the Kuosi Elephant Costume.
One of the welcoming features of the library is a cozy reading room complete with fireplace. Marsha Monroe Pippenger of Dayton created “Spaces Between Stones,” two paper collage-on-canvas triptychs that flank the fireplace and represent the three small library branches that merged to become the Northwest Branch.
“Like the stone Relief Fragment from Persepolis, the viewer sees fragments of wall and ‘spaces between stones’ in my work,” Pippenger explained. ” I see walls as positive rather than negative symbols of community, and just as the leaders of Persepolis united their empire, the double triptych design and architectural composition allude to the union of three unique neighborhoods — Northtown Shiloh, Dayton View/Salem and Ft. McKinley — into one library branch.”
Her collages, which often incorporate natural materials and earthenware fragments, are created through a process of building and layering, of adding and taking away.
On the day I got a sneak peak at the new library, artist Francis Schanbergerof Dayton was installing his work, “Scatter Hoard,” on the walls of the Quiet Reading Area. His photographic quilt, printed on handmade Japanese paper called “washi,” was created using historic photographic methods and features images of nature.
“I was drawn to the textile designs in the central part of the Kuosi Society Costume,” Schanberger said. “There are diamond shapes set within other diamond shapes with alternating cool and warm hues. I decided to employ photographic methods that produce very different colors to echo this effect. “
He said the cyanotype process produces the cool blue hue and the Vandyke process produces the warm chocolate brown hue. “My photographs of maple seeds and burr oak acorns are assembled in a quilt like pattern of these alternating colors.”
Schanberger, who has been photographing since fourth grade when he presented a homemade, long focal length pinhole camera as his science project, is especially interested in historical photographic processes and the intersections between science and art.
Other artwork
As you stroll through the new library, you’ll see other artwork as well:
  • The colorful entrance to the children’s area and its meadow theme was designed by Englewood artist Terry Rasor of TER Designs. Rasor, a teacher at St. Christopher’s, has made exhibit pieces for other area organizations including the Boonshoft Museum of Discovery. The fabric on the four chairs in front of Rosor’s meadow-themed portal is by popular Cincinnati wild-life artist Charlie Harper.
  • Those who had a difficult time watching the old Fairview High School be torn down will be glad to know that the new library now houses the beautiful Rookwood fountain dedicated to principals Don D. Longnecker and Theresa Folger. In this case, the appreciation goes to Robert Mousaian, class of ‘64, who offered to salvage and restore the fountain before he realized how heavy it was. “Along with Al Donaldson, we cut through concrete block and brick to remove it,” Mousaian said. ” I rented a forklift to remove it from the building and felt guilty driving an industrial forklift down the halls of my alma mater where it used to be a sin to even scuff a wall!”
  • In addition, the library’s first long-term Opportunity Space partner is the Funk Music Hall of Fame and Exhibition Center. The Funk Center will host rotating displays and programs related to Dayton’s funk legacy and the history of funk music through the fall.

Monday, April 18, 2016

PAUL REVERE, LONGFELLOW AND ANNE LAMOTT

PAUL REVERE’S RIDE….

Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

Henry Wadsworth Longfellow


This is only the first stanza, but when April 18 pops up on the calendar I think of this poem. So, I had to put at least this bit on my commentary for today. Besides, Revere wasn’t just a Revolutionary, he was a silversmith by trade. So, art fits the picture, as it always does!


I guess today’s post really is about writers because I have been wanting to comment on the words and thoughts of another writer, Anne Lamott. Last fall my book club read her book Bird by Bird: Some Instructions on Writing and Life, which I highly recommend. She is a thoughtful and very funny writer and I gleaned much wisdom from her thoughts. In fact, I enjoyed the book so much I ordered a copy for my son, who is a professional writer.

In the book’s introduction Lamott relates her experiences teaching writing workshops to students who love to read, who love good writing, and who are eager to see their words in print. She begins by telling them what it is like to sit down to work with “a few ideas and a lot of blank paper”. She tells them they will want to be really good straight off, and that they may not be, but they might be good someday if they just keep at it. She tells them that their heads will be filled with their stories, even when they are not writing, that everything will be fodder for the page. She also tells them that they will have days of frustration, low self-esteem and self-doubt. They will want to give up, and forget this ridiculous belief that they can actually write, much less write something someone else wants to read.

Does that not sound like the life of a visual artist as well? I think so. So, to keep this post from being too long, I will just urge you to keep at it, because as Lamott goes on to say, there will also be days when it feels like you “have caught and are riding a wave.”


Ride on my friends. It’s absolutely worth it.



With many thanks to Anne Lamott for her beautiful writing and to Longfellow for his poetry.